My Fault Title Sequence

Title Sequence

2025

About

This project is a kinetic type title sequence inspired by the bestselling book My Fault by Mercedes Ron. I wanted to explore how typography alone could carry emotional weight, set the tone, and hint at the story’s core themes—conflict, magnetism, and vulnerability—without relying on characters or literal visuals.

Concept

The concept was centered around translating emotional tension into type movement. I focused on the idea of a magnetic push-and-pull relationship, mirroring the dynamic between the protagonists. Through fragmented transitions, bold entrances, and subtle dissolves, I aimed to let the text “perform” the drama embedded in the narrative.

Brainstorming

My process began with deep immersion into the book’s tone and character arcs. I jotted down keywords, explored mood boards, and mapped out timing sketches based on the emotional rhythm of the narrative. I treated every word on screen as a character—asking how it should enter, move, and exit to reflect the underlying emotion.

My process began with deep immersion into the book’s tone and character arcs. I jotted down keywords, explored mood boards, and mapped out timing sketches based on the emotional rhythm of the narrative. I treated every word on screen as a character—asking how it should enter, move, and exit to reflect the underlying emotion.

Thumbnail image

Keywords


  • Guilt

  • Tension

  • Magnetism

  • Silence

  • Friction

  • Rebels

  • Impact

  • Ignition

  • Speed

  • Control



  • Guilt

  • Tension

  • Magnetism

  • Silence

  • Friction




  • Rebels

  • Impact

  • Ignition

  • Speed

  • Control


The Challenges


  1. Legibility vs. Expression
    Maintaining readability while delivering bold, expressive type motion was a key tension throughout the project.

  2. Clarity in Abstraction
    I had to ensure that even with abstract or experimental visuals, the core message and emotion remained accessible to viewers.

  3. Purposeful Motion Design
    Every animation decision needed a narrative purpose—avoiding motion that felt purely decorative or unmotivated.

  4. Emotional Range Through Type Only
    With no characters or scenes to lean on, conveying the novel’s layered emotions using only typography and timing was both challenging and rewarding.

Style References

Color Palette

Font Choices

Font Choices

Styleframes

See other projects

See other projects

Designed by Pal Upadhyaya · Built in Framer · ©MyPortfolio

Designed by Pal Upadhyaya · Built in Framer · ©MyPortfolio

Designed by Pal Upadhyaya · Built in Framer · ©MyPortfolio

Designed by Pal Upadhyaya · Built in Framer · ©MyPortfolio